Mouth Harp Mimicry

17th March, 2019

Hello Riff Raffers,

A special free offer with today’s St. Patrick’s Day edition. Sláinte.

Mimicry: the action or skill of imitating someone or something especially in order to entertain or ridicule. (Oxford Living Dictionary)

The harmonica is well known for it’s imitation of the steam train, the hounds of the fox chase, sirens, chooks and babies crying for their Mama. Check Out Salty Holmes’ ‘Talking Harmonica’ here. Australia’s Mouth Organ Champion P C Spouse (1925, 1927, 1928 and 1935) was an exponent, he was reported as delighting his listeners with his warmth of feeling when playing ballads, classics and band waltzes” and also for his “clever imitation of other musical instruments and mimicry of vocalists,” (Macleay Argus, 23 July 1935). Many of the mouth organ contests of the day included a section for best mouth organ imitation. Musicians would emulate bagpipes, church organs, violins and gramophones to name a few. Another fine Australian Champion of yesteryear Stan Andrews (1926, 1930 and 1935) from Ballarat could execute a fabulous rendition of a military marching band. Hear here!

Rick Dempster, ex Autodrifters, Brunswick Blues Shooters and Moonee Valley Drifters, is an extremely underrated but amazing harmonica player. He imitates a steam train on a tune called Broad Gauge Beat‘. Rick a self confessed train buff had worked for the Victorian Railways and locally in the Dandenongs with tourist icon Puffing Billy. On the tune Rick’s percussive technique for the train travelling on the tracks is three in breaths followed by an out breath, which is not commonly used by train imitators. Dave, who he had worked with at the Victorian railyards, taught him this method. Rick even plays the sound of the wheels slipping on the wet tracks as it attempts to move. Another skill he possesses is whistling two notes simultaneously. Why is it so?img_1195-1What better way to do your mouth harp mimicry, but on a W F Coxon ‘Lyre Bird’ mouth organ. The Lyrebird is an Australian ground dwelling songbird that is noted for its ability to mimic sounds from their natural and sometimes unnatural environment. Their name derives from the male of the species, whose raised feathered tail plumage in the act of courtship (look at me) replicates an image of the ancient musical instrument, the Lyre. The Lyrebird is able to mime sounds due to the structure of their syrinx (vocal organ). They have been known to mimic Kookaburras, Koalas and Dingoes from their natural habitat and introduced sounds such as camera shutters (click and motorised), car alarms, sirens, chainsaws and even the human voice.

W F Coxon in 1898 operated out of two stores one at 745 George street (later expanding to 739 and 741), Haymarket (just opposite Christ Church) and 274 King street, Newtown. They were importers, merchants and furniture manufacturers. They prided themselves on doing business on the ‘terms system’ where people of small but steady incomes could secure items they normally couldn’t acquire. The business went from strength to strength with large profits on shares and they opened three more stores in 1899 at Newcastle, Bathurst and Lithgow.

img_1852-1In 1903 W F Coxon joined the ever increasing profitable mouth organ market. The Lyre Bird is Mr. W F Coxon’s invention and is the result of years of experiment, having been tested and found perfect.” (Sydney Sun 5th August,1903). It appears the filing of the reeds both vertically and horizontally gave it the perfect tone and tuning. I’m no expert and I wasn’t around to test one, but filing horizontally might be fraught with danger (don’t do this at home). It even received a special prize at the Agricultural Show in 1903. In 1904 a local championship was won by Thomas McHenry using a ‘Lyre Bird’ mouth organ. By 1909 they came in six models (originally four) from the most basic 1/- model to the ornamented plush lined case model for 7/6d. Each mouth organ was warranted for two years and fitted in various keys. In 1910 their business premises were being demolished for development and due to their outstanding liabilities they were put into receivership. It didn’t take long before German mouth organ manufacturer Seydel jumped on the opportunity of trademarking the name Lyre-Bird. They did so the following year, although I don’t believe they put any into production.

In 1913 A Macrow & Sons of Melbourne kept the mimicry theme to the forefront selling their brand of mouth organ, ‘The Magpie’. They advertised their brand as, Magpie Mouth Organs-Boys! They’re It! High grade mouth organs specially made for our Australian Customers-Superior European Manufacture. I know of four models which include a ‘Vamper’ and a ‘Tremolo’. The black and white Australian Magpie is another songbird (flying) so talented they can vary their pitch by four octaves and can mimic over thirty five species of birds, dogs, horses and human speech.

(Macrow & Sons, office and factory workers, 259 Collins Street, 1913)

I’m sure ‘Macrows’ had no interest in offering a ‘Crow’ mouth organ as they’re not the sweetest sounding bird and certainly not popular among the populous. Crows were considered vermin by sheep farmers and they could be trapped for a few pence. In their defence they are capable of making about eighty different call types and can mimic sounds. They also have the ability to count the beat. They can count up to six. Television host Graham Kennedy famously created awareness in 1975 on how exceptional they were as copiers of the most famous swear word in the world. I wonder if there was any consideration given to producing a ‘Cockatoo’ model on the market? Pretty Cocky. Polly want a cracker? Maybe their screeching was off putting. What about a ‘Galah’? We did, however have a ‘Kookaburra’ (the laughing jackass) on sale by Alberts. In North America a ‘Burrowing Owl’ mouth organ might be well received as they can do a mighty impression of a rattlesnake.

Happy Mimicry Raffers.

Ch SD

PS: As a result of the research we have a free bonus supplement article for you this St. Patrick’s day on Albert Owen Macrow (pictured above) and family members. Perhaps my Irish immigrant grandfather Paddy’ may have visited Albert’s store and even blew a ‘Magpie’ mouth organ.

Mr Albert Macrow was born in London in 1837 and emigrated to Australia in 1853. He married Colina Fairbairn in 1856 and they had five sons and six daughters. Sadly Thomas died tragically at the age of fifteen. He was operating a lift at Paterson & Co in Flinders Lane. It was disclosed that on the 5th May, 1891, Thomas Albert Macrow who had very little experience of the lift, endeavored to take up a passenger. He landed his passenger on the third floor and followed him along the corridor. The lad then ran back, but as he had not stopped the lift, instead of running on to the lift floor he stepped into space and fell to the bottom of the well, a distance of about 40 feet. He was picked up and taken to the Melbourne hospital where he remained for some time. He was then taken to the home of his parents at Auburn, but subsequently died from the effects of the injuries he had sustained.” (The Age, 6 June, 1891). At the Coronial Inquiry Dr. William Warren testified that he died from a fractured spine. He had also suffered a broken leg and arm. Mr. Macrow asked the Inquiry on whose authority was his son working the lift as he had not given his consent? A witness replied he had no authority, but he did it for his own pleasure, as boys do. The jury found he had met his death by accident, but added that a mechanical device needs to be attached to the cages and fixed to the landings when the person in charge leaves them.

Albert’s first business ventures were at Bendigo, Ballarat and Bullarook. In 1897 Albert commenced business as a wholesale jeweller and piano importer in Flinders street and subsequently established businesses in many regional areas of Victoria and interstate. Sydney and Newcastle (New South Wales), Adelaide and Gawler (South Australia), Perth and Kalgoorlie (Western Australia), Hobart and Launceston (Tasmania) and Brisbane in Queensland. In 1905 the business traded as A Macrow & Sons with Albert, William and Francis Macrow named as the proprietors. Colina passed away at their Auburn residence in 1911 aged seventy one. Albert would venture into marriage once more and tied the knot with a younger girl, sixty seven year old Charlotte Mary Morgan on the ninth of August 1920. Retiring in 1922 he handed over the reins to his son William, but still retaining an interest in the firm until his tragic death in 1927 aged ninety. With head down, crossing Elizabeth street against the traffic, he was hit by a Collins street tram. Albert had enjoyed good health. He walked a couple of miles each morning but at the time of his demise was being treated for a weakness of the heart. Albert’s eye sight was excellent, however his hearing wasn’t and in fact he was nearly stone deaf, which may have contributed to his death.

In 1910 Ethel Colina ‘Dolly’ Macrow (William’s eldest daughter) married celebrated Australian Test Cricketer Vernon Ransford. William’s only son William Reginald Macrow, at one time a cadet at Camberwell Grammar, would enlist in the Australian Army with the outbreak of war in 1914 at the age of twenty five as a driver for the 1st Divisional Train. He was promoted to Lieutenant and received the Military Cross for conspicuous gallantry and devotion to duty whilst engaged on pack transport work in forward areas during operations. He carried on his work day after day in spite of heavy shelling and most difficult weather conditions and the fact that the ground which he had to cross was at times a sea of mud. On one occasion, when his convoy was caught in an enemy barrage and several casualties were caused, he arranged for the removal of the wounded, reorganized his convoy, and delivered his stores. He proved himself a most capable and fearless leader, and kept his men in fine spirits by his disregard of danger and coolness under fire.’ (National Archives Of Australia). William, however was in some trouble for wearing medals on Armistice day processions that he wasn’t entitled to. One of these medals was the Sultan of Egypt’s Sudan Medal. William was a handy cricketer, a fast bowler for the Richmond Cricket Club and he represented his state on five occasions, one of which was against a touring England.

An unfortunate note to end on is William Macrow (Senior), who passed away in 1946 aged eighty six, did not leave one of his daughters, Frances, a brass razoo out of his £146,546 estate even though the rest of his children and several organisations would benefit. The Gordon Institute for Boys, Salvation Army (Victoria) Property Trust, Prince Henry’s Hospital, Austin Hospital, St. Andrew’s Presbyterian Hospital, Royal Children’s Hospital, Queen Victoria Hospital for Women and Children, and Mount Royal were all entitled to a share of £3,200. The court rectified Frances Elizabeth Macrow’s absence from the will by awarding an income of £1100 a year. The judges decision had taken into consideration that Frances aged forty four wasn’t given the opportunity to support herself and her father by discouraging male visitors had caused Frances to be a spinster. William was found guilty of a breach of the moral duty that a wise and just father owed his child.

The end! (I think)

Aussie Models-Timeline

14th February, 2019

Hi there Riff Raffers,

A timeline of Australian models (an attempt), as promised a while back.

No no no, not that type of model, sorry! Australian brand harmonicas up to WWII. Like this.img_23341890’s-The Scorcher (F A Rauner/Feldheim, Gotthelf & Co)-up to 1920

1895/99-The Melba (?/H S Chipman-TM 1895), Crack A Jack (F A Rauner?/?)

1896Woolloomooloo Warbler-originally had a patent bone lip protector (Seydel/Alberts), Kangaroo Chalmer (Seydel/Alberts)-Later that year King Billy-two sided & another with bells maybe later at 3s 5d (Seydel/Alberts), Boomerang Large & Miniature-also three sided models in both (Seydel/Alberts-TM 1897), The Federal Harp-perhaps as early as 1880, three models sold in 1910 as the Midget Federal 20 reeds, Junior Federal 20 reeds & Senior Federal 40 reeds (Ernst Hess/J Hess & Co)

1896/98Native Waratah-with celluloid sliding cover (Seydel/Alberts-TM 1910), Wallaby and Possum (Seydel/Alberts-TM 1910)

1898Kookaburra & Cooee 2d (TM reg by M. Johs Richter)

1900The Bushman-originally 2 models 2/- 20 reeds & a 3/- then a 40 reeds at 4/6 (C H Meinel/ W H Paling), Larrikin ? (Carl Essbach) Century Advance Australia (Hohner TM)

1901Corroboree & Geebung (Hohner registered never sold), Federation SouvenirAdvance Australia (Hohner TM)

1902Boomerang Professional and a three sided model (Seydel/Alberts), Crackajack three models all with open back covers Professional, Senior & Junior 20 reeds-also sold by same brand Tommy Dodd and Little Gulliver, added later Boss Cracker, Cadet & Double (F A Rauner/Allans TM-1903), Kookaburra (Seydel/Alberts), The BuglerSmall 10 hole/20 reeds for 1/- and a Large 20 hole/40 reeds for 2/- (Seydel?/Deane and Sons), Wallaroo (C Essbach/Johnstone & Company) sold alongside the Humming Bird and maybe even earlier.

1903Lyre Bird-four models upgraded later to six (?/W F Coxon)

1904Bonzer & Boshter-sixpenny models (?/Allan & Co), Melba (F A Bohm/Flights-Bendigo)

1908Topnotcher-Ordinary & Professional, later the Nipper 8 pence and Amateur’s Harp a full sized concert harp 2/3 (circa 1914), then the Scout, Artists, Vamper, Standard & Concert Grand (C H Meinel?/W H Paling TM-1906), BoskerVamper 1/6 & Double Reeds 2/6 (?/Chapman’s), The Kangaroo (A Koch/-) different to Seydel’s later model of same name. Dickens’ Echophonean attachment for the mouth organ invented by Sydney Dickens and patented.

1909B.A.B (Boomerang Arch Bell) series: initially three models #1-4 professional organs 120 reeds with 2 sets of bells 17/6, #2-2 professional organs 80 reeds with 1 set of bells 10/- and the #3-1 professional organ 40 reeds with 1 set of bells. Later (1912?) a mini professional 20 reeds 1 set of bells and a mini professional double with 1 set of bells.

1910The Wallaroo-diatonic and a four sided model (Seydel/Alberts), Kookaburra (Seydel/Alberts TM)

1911-Boomerang Grands-Miniature Grand (nickel plated), Grand (nickel plated), Miniature Grand (black enamel), Grand (black enamel), Austral Harp, Black Gin, Wonga, Jabiru, Wombat, The Wallaroo, Golden Wattle, Budgeree & Lyre-Bird (Seydel/Alberts TM)

1912Cobber four models-20 reed Vamper, 20 reeds miniature professional, 40 reeds standard, 40 reeds professional (Bauer & Krause/Jackson & MacDonald), five Boomerang Professional Arch Bell models, Young Australia-two models (Hohner Special Edition-sold to 1920: TM 1912)

1913Rozella (Seydel?/A P Sykes)-3 models-Solo 20 reeds 1/-, with nickel mouthpiece 1/-3, with nickel mouthpiece and metal case 1/6, Concert 20 reeds with nickel mouthpiece and metal case 2/- and the Professional 40 reeds with nickel mouthpiece and metal case 3/-, Magpie four models-40 reeds, two large 28 reeds 5s & 3/6 and a small 20 reeds (?/Macrows) to 1920, Coo-ee (Seydel/Alberts), The Kangaroo & Wallaroo (Seydel/Alberts), Bess O’ Th’ Barn (F A Bohm?/A P Sykes)-3 models-Solo Artist 20 reeds 1/-(with nickel case 1/-6), Concert Artist 20 reeds with nickel mouthpiece and metal case 2/- and the Professional Artist 40 reeds with nickel mouthpiece and metal case.

1920’s-Bonzer-four new models (F A Rauner?/Allans), The Kangaroo (A Koch/-)- Made in Switzerland, Rigi model

1923-Boomerang (TM USA), Harola (Gebr. Ludwig/Harola)-sold 6 models 1/- to 10/- a new improved automatic valves sold in 1933

1924Boomerang De Luxe-‘Boomerang Shaped’ (Seydel/Alberts) with the slogan “Having Tried the Rest, Now Buy the Best” TM 1925 also Boomerang Tiny-four hole, Tiny De Luxe-five hole, Pocket, Miniature & Miniature Professional (Seydel/Alberts)

1925-Baby Boomerang and Baby Boomerang De Luxe (Seydel/Alberts) for a very short time. Koala Harp (?/?). Monarcheight models Piccolo, Vamper, Junior- 20 reeds, Senior, Tremolo Harp, Professional, Artist- 40 reeds & a Grand Concert Harp- double sided 96 reeds at one stage there was a ‘Monarch King’ (E Deinst?/Musgroves)

1926Perla four models-Medium 20 reeds, Medium Professional 20 reeds, Large 40 reeds, Large Professional 40 reeds (F A Rauner/Mick Simmons Pty Ltd)

1926/27-Crackajack upgrade to ten models-Cadet, Junior, Miniature Professional, Professional, Senior, Artist, Miniature Concert, Concert, Concert Grand, Tremolo Concert another advertisement listed them from lowest to highest price as the Tivoli 1/6, Cadet Plain 2/-, Cadet Nickel 2/6, Boss Cracker 3/-, Double 3/6, Junior 4/6, Concert 5/-, Senior 5/6, Professional 7/6 and Artist 10/6

1929-Trump (Hohner/Suttons)- 40 reeds 5/-

1930Auto-Valve Vamper (Hohner)-Marketed as ‘Australian’ Model and three other auto valve models-blue box with wide air slots, red box an octave lower, brown box two octaves lower

1936Chromorgan-Chromatic & Mezzo Boomerang-Diatonic, a lower music range model (Seydel/Alberts)

1937-Crackamonic-Chromatic (F A Rauner/Allans) also the Crackajack Regal a double sided, two different keys ‘C’ & ‘G’ with 48 reeds each side. Nickel plated and colourfully enameled. P C Spouse ‘Champion Series’-World’s Fame (F A Bohm/Mick Simmons)-3 models a small 20 reeds, medium 40 reeds and a large concert 40 reeds. The Federal Band-Chromatigrand (Johann Schunk/Mick Simmons)-2 models standard 40 reeds and a professional ‘Grand’ 48 reeds.

1939-Jazz Master (F A Rauner/Allans) replaced Crackajacks short lived due to war.

img_3035TM=Trademarked. First named=harmonica maker followed by music house. Unless otherwise stated.

Like ‘The Scorcher’, ‘The Federal Harp’ may not strictly be an Australian name brand, however the ‘Hess’ connection made it a viable inclusion, in my humble opinion. Ernst Hess of Klingenthal, Saxony, Germany made and registered the model (N.25116) and J. Hess & Co music wholesalers of Clarence street, Sydney sold the mouth organ. Ernst Hess had a display at the ‘World Fair’ held in Melbourne, Australia in 1880.img_1771

Please don’t take as gospel, however if you have any information it would be greatly appreciated. This is a fluid document that will be updated when new verifiable information comes to hand.

This research was a result of searching for the maker of Crackajack mouth organs (seeQuest For The Maker‘). Thanks to Ray Grieve & Pat Missin for all their assistance. Here is a collection of their endeavours.

Notes:

PM- I can’t find a “Kookaburra” trademark by Seydel, but there was a “Kookaburra” registered by M. Johs. Richter in 1898. Don’t know if that’s a trademark that Seydel later acquired, or if they are unconnected.

RG- The “Kookaburra” was on the market in 1902. His mention of the 1898 reference is interesting because a “Kookaburra” wasn’t in the original Albert’s range which came out in 1896. (Would be a rare one-off mouth organ if it was ever marketed by Richter.) Pat’s discovery would explain why Alberts had their unique and different “Kookaburra” on the market six years later, if Richter held a patent on it in 1898, which presumably must have lapsed by then?

img_1915-1PM- I’d already written a little about M. Johs. Richter on my website. On the same day that he trademarked “Kookaburra”, he also registered the same “Coo-Ee”. I doubt that these are connected with the later models of the same names, as his involvement with harmonica making seems to have been quite brief. He was mostly known for stringed instruments. Carl Essbach registered the name “The Larrikin” in 1900, for a variety of things including harmonicas. This was presumably for the Australian market, but I don’t recall any harmonicas with this name. Also that year, W.H. Paling of Sydney in conjunction with Glaser of Berlin registered the name “The Bushman” specifically for harmonicas. Again, don’t recall hearing of those.

img_1520-1Hohner registered a bunch of Australian-flavoured TMs, including “Century Advance Australia” (1900), ” Federation Souvenir, Advance Australia”, “Geebung” and “Corroboree” (1901) and ” Young Australia” (1912). The latter seems to have been their best seller Down Under.img_1195-1

Seydel’s earliest TM for “The Boomerang” was from 1897. They registered “The Moa” a couple of years later. They trademarked the name “Kookaburra” in 1910. I’m guessing the Richter TM was expired by then. The same year they also trademarked “Woolloomooloo”, “The Possum” and “Boomerang Miniature Grand”. The next year they registered “Austral Harp”, “Black Gin”, “Wonga”, “Haka”,”Jabiru”,”Wombat”,”The Wallaroo”,”Golden Wattle”, “Budgeree” and “Lyre-Bird”. In 1925 they trademarked a design for the Boomerang-shaped “Boomerang De Luxe” with the slogan “Having Tried the Rest, Now Buy the Best” and in 1926 they registered “Tapu” and “Kiaora”.

I also found a trademark for “Cobber” registered in 1911 by a Leipzig-based company called Bauer & Krause.

img_1552-1RG- Some notes on Pat’s brilliant research: There was a Bushman available in Australia in the 1920s and always sold alongside of the English Topnotcher. (see my “Boomerangs & Crackajacks” book P. 60). It was never advertised as an ‘Australian’ brand. Would seem that Hohner’s Geebung and Corroboree never went into production. I couldn’t find any mention in old Hohner catalogues. And if so Kurt would have definitely mentioned this to me. Very likely that Bauer and Krause made the Cobber. Couldn’t find any info on this at all from either Jackson or McDonald descendants. Would be interesting to know just how many of these actually went into production.

PM-https://www.trademarkia.com/au/crackamonic-71796.htm

img_1459-1It lists “Crackamonic”, but unfortunately has no other data on it. It gives the date Monday, January 1, 1900, but that seems to be the default for this site when they don’t know the filing date.

img_1591-1RG- Pat must be right regarding 1900 being the default date for the “Crackamonic”. It was marketed briefly from around 1938 – I had never seen one until the photo you sent. Most of the old Australian players were using diatonics and considered the Hohner as the superior chromatic anyway (Larry Adler had a lot to do with that).

img_1144-1Articles have already featured Crackajack & Cobber Mouth organs. Waiting in the wings W F Coxon’s Lyrebird, Hohner’s Auto Valve Vamper, Paling’s Topnotcher and Frank’s Boomerang.img_1754

Ch SD

PS: Just found (28/2/2019)! An application by Michel Francios Albert in 1927 for a Trademark. Mouth organ depicting picture of a Kookaburra and the words “The Kookaburra (Laughing Jackass)”. Application # 43906 April 23, 1927.

img_1803-15/3/2019- New addition ‘The Bugler’ sold by William John Deane and sons from 1902 to about 1909. Advertised as Deane’s patent and Sydney is stamped on the cover plate. Appears that it’s an Australian Mouth Organ although not an Aussie brand name, so to speak. Interesting to note that William Deane married Pauline Albert in 1896 (Jacques’ daughter and Frank’s sister). So maybe it’s a Seydel Mouth Organ because of the Albert’s/ Boomerang connection.

img_213523/3/2019- New addition the P C Spouse ‘Champion Series’ on a F A Bohm ‘World’s Fame’ mouth organ for Mick Simmons of George Street, Haymarket Sydney. More information in Ray Grieve’s upcoming third book on the history of mouth organs in Australia. P C (Percival) Spouse was Australian Mouth Organ champion in 1925, 1927, 1928 and 1935. Mick Simmons also had a chromatic brand ‘The Federal Band’ stamped on the cover plate of a Johann Schunk ‘Chromatigrand’.

img_2264

27/3/2019- A few more added. 1928 a ‘Baby Boomerang’ and ‘Baby Boomerang De Luxe’. Appears short lived for the same models branded ‘Tiny’. The ‘Koala Harp’ in the same year. Also in 1908 the Dickens’ ‘Echophone’ invented by Sydney Dickens of Carlton, Melbourne, Australia. A horn attachment for the mouth organ to increase volume. More to come in Ray Grieve’s third edition of the history of the harmonica in Australia.

2/4/2019- I’m throwing in Musgroves’ Monarch mouth organs from Western Australia from 1925 or thereabouts. Not an Australian sounding name, but being part of the Commonwealth  (Boomerang mouth organs were once advertised as the ‘Monarch Of Mouth Organs’) and also because Musgroves’ were sole distributors they’re in. More to follow.img_2176

23/5/2019-Recent discovery a ‘Tommy Dodd’ (the boy’s Crackajack) sold by Allan & Co in 1903 for sixpence and also the ‘Little Gulliver’ for 4/d made by F A Rauner. Story to follow!

Tommy Dodd

10/7/2019-Further updates on maker of Topnotcher’s-a Cadet model has appeared with the Balloon Brand and logo stamped on back cover plate which means C H Meinel made this one. In a 1899 trade page The Melba is pictured along with a Crack A Jack! Samuel Holmes Chipman of Margaret street Sydney trademarked the name Melba for musical instruments in 1895. In 1904 a new Melba model made by F A Bohm was sold in Australia. Have also placed Eduard Deinst tentatively as the manufacturer of the Monarch-research is pointing in his direction. Added the Wallaroo sold by Johnstone and Company of 27 The Strand and 672 George-street, Sydney, who were sole agents for Essbach’s celebrated improved Humming Bird and the Wallaroo mouth organs (TM must have lapsed and Albert’s swooped in). We also have two harps that may belong to the gift shops of prominent Australian Hotels. The Metropole (C A Herold) and The Grosvenor Harp (Seydel). Articles to follow.

18/9/2019-Latest updates to timeline. B.A.B Boomerang Arch Bell models advertised earlier than indicated. Preceded the Boomerang Grands and were sold as early as 1909. Rozella’s came in a few different formats and I’ve included the Bess O’ Th’ Barn models sold by A P Sykes as they appear to have only been sold in Australia. The other addition is The Kangaroo, made in Switzerland mouth organ-circa 1920. An article on this will be out before the end of the year.

19/10/2019-Latest additions include the Harola made by Gebr. Ludwig for the Harola company of Brisbane (1923) and the Trump made by Hohner for Sutton’s Music stores in 1929. Stories in the mail as we speak.

8/11/2019-Two additions the Bosker made for Chapman’s Up-To-Date Music & Musical Instruments of 694 George Street Sydney in 1908.

In 1914 Palings Topnotcher mouth organs had two models the Nipper and a full sized concert harp the Amateur’s Harp in a superior case.